For music inspired by Indo-European Studies, see [[contemporary-music]] # Music [[reichl2016]] > [[kadar2003]]: > "The basis for Finno-Ugrian comparative musical science, and also the cognitive inspection of Finno-Ugrian musical cultures, was established by Gábor Lüko, who was able to separate the ancient layers and characteristics of these and other (ancient Slavic, ancient **Indo-European**) cultures ([Lüko](luko.md): [1962](luko1962.md), [1964](luko1964.md), [1965](luko1965.md)). As it turned out, the musical language of these cultures differs not only because of the difference in their scale, but the association structure of the sounds within the scales differs as well ([Kádár](kadar.md): [1994](kadar1994.md):49–70). (This has been used to explain the intervals – like septims –, that are considered dissonance by the West-Europeans, and as consonance in these musical cultures, not requiring a dissolution, as explained by Bartók in his own method of composing." https://www.houstonchronicle.com/entertainment/music/article/Tabla-player-Zakir-Hussain-explores-Indo-Celtic-6127692.php #cleanup